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Description
OperAria Tenor - Volume 2 - Lyric-DramaticComposers: Wolfgang Amadeus Mozart (1756 1791), Otto Nicolai (1810 1849), Giuseppe Verdi (1813 1901), Benjamin Godard (1849 1895), Friedrich von Flotow (1812 1883), Vincenzo Bellini (1801 1835), Antonio Pasculli (1842 1924), Pyotr Ilyich Tchaikovsky (1840 1893), Gioachino Rossini (1792 1862), Georges Bizet (1838 1875), Gaetano Donizetti (1797 1848), Charles Gounod (1818 1893), Lo Delibes (1836 1891), Carl Maria von Weber (1786 1826), Giacomo Puccini
- Composers: Wolfgang Amadeus Mozart (1756-1791), Otto Nicolai (1810-1849), Giuseppe Verdi (1813-1901), Benjamin Godard (1849-1895), Friedrich von Flotow (1812-1883), Vincenzo Bellini (1801-1835), Antonio Pasculli (1842-1924), Pyotr Ilyich Tchaikovsky (1840-1893), Gioachino Rossini (1792-1862), Georges Bizet (1838-1875), Gaetano Donizetti (1797-1848), Charles Gounod (1818-1893), Léo Delibes (1836-1891), Carl Maria von Weber (1786-1826), Giacomo Puccini (1858-1924), Jules Massenet (1842-1912), Édouard Lalo (1823-1892)
- Format: Vocal Score
- Instrumentation (this edition): Piano Reduction, Tenor
- Originally for: Piano, Oboe, Opera
- Work Language: German
- ISMN:
- Size: 9.1 x 12.0 inches
Description
The three volumes for tenor represent the grand finale of the most comprehensive collection of repertoire for all vocal genres, with 16 volumes.
"Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres." (Peter Anton Ling, editors)
Works:
- Mozart: Konstanze! Dich wiederzusehen / O wie ängstlich from Don Giovanni, K. 527
- Mozart: Dalla sua pace from Don Giovanni, K. 527
- Mozart: Il mio tesoro intanto from Don Giovanni, K. 527
- Mozart: Un’aura amorosa from Così fan tutte, K. 588
- Mozart: Dies Bildnis ist bezaubernd schön from Die Zauberflöte (The Magic Flute), K. 620
- Weber: Was ich dann tu' from Die drei Pintos (The 3 Pintos), Anh. 5
- Rossini: Languir per una bella from L'Italiana in Algeri
- Rossini: Ecco ridente in cielo from Il barbiere di Siviglia (The Barber of Seville)
- Donizetti: Una furtiva lagrima from L'elisir d'amore, A. 36
- Donizetti: Ah ! mes amis from La Figlia del Regimento
- Donizetti: Povero Ernesto! / Cercherò lontana terra from Don Pasquale, A. 64
- Pasculli: Favorita del Re! / Spirto gentil from Concerto on themes from Donizetti's 'La Favorita'
- Bellini: A te, o cara from I Puritani
- O. Nicolai: Horch, die Lerche singt im Hain from Die lustige Weiber von Windsor (The Merry Wives of Windsor)
- Flotow: Ach! so fromm from Martha (Der Markt Zu Richmond) (1847)
- Verdi: Questa o quella from Rigoletto
- Verdi: La donna è mobile from Rigoletto
- Verdi: Lunge da lei / De’ miei bollenti spiriti from La Traviata
- Verdi: Dal labbro il canto estasïato vola from Falstaff
- Gounod: Quel trouble inconnu / Salut ! demeure chaste et from Faust, CG 4
- Lalo: Puisqu'on ne peut fléchir / Vainement, ma bien aim from Le roi d'Ys
- Delibes: Prendre le dessin / Fantaisie aux divins mensonge from Lakmé
- Bizet: Je crois entendre encore from Les Pêcheurs de perles (The Pearl Fishers)
- Tchaikovsky: Kuda, kuda from Yevgeny Onegin (Eugene Onegin), ČW 5, Op. 24
- Massenet: Instant charmant / En fermant les yeux from Manon
- Godard: Cachés dans cet asil / Oh, ne t’éveille pas from Jocelyn, Op. 100
- Puccini: Addio fiorito asil from Madama Butterfly
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4.2 ★★★★★
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Product Reviews
★★★★★ 5
Who knew? Right?
Format: Kindle
Alexander the Great is one of the most prominent figures in ancient history, known for his military conquests and political prowess. Born in 356 BCE in Pella, the ancient capital of Macedonia, Alexander was the son of King Philip II and Queen Olympia. From an early age, Alexander was groomed for leadership and given a rigorous education in military strategy, politics, and philosophy under the tutelage of Aristotle.
When Alexander was only 20 years old, he succeeded his father as king of Macedonia. Immediately upon taking the throne, he set his sights on expanding his empire. In 334 BCE, Alexander led an army of approximately 35,000 soldiers across the Hellespont, a narrow strait that separates Europe and Asia. This marked the beginning of his campaign to conquer the Persian Empire.
Over the course of the next decade, Alexander achieved a series of stunning victories on the battlefield. He defeated the Persian king Darius III at the Battle of Issus in 333 BCE, and again at the Battle of Gaugamela in 331 BCE. He then continued his conquests into Central Asia and India, where he faced fierce resistance from local armies and encountered new cultures and religions.
Despite facing numerous challenges and setbacks, Alexander was a brilliant military strategist who was able to adapt to changing circumstances and inspire his troops to victory. He was known for leading his soldiers from the front, and he fought alongside them in many battles. His leadership style earned him the loyalty and admiration of his soldiers, who were willing to follow him to the ends of the earth.
In addition to his military conquests, Alexander was also a skilled politician and diplomat. He understood the importance of winning over the hearts and minds of the people he conquered, and he adopted many of the customs and traditions of the cultures he encountered. He also founded several new cities, including Alexandria in Egypt, which became a major center of learning and culture in the ancient world.
Despite his many successes, Alexander's life was cut tragically short. He died in 323 BCE at the age of 32, possibly from malaria or poisoning. His death left a power vacuum in his empire, which led to a period of instability and conflict known as the Wars of the Diadochi.
Today, Alexander is remembered as one of the greatest military commanders in history. His conquests had a profound impact on the ancient world, spreading Greek culture and Hellenistic ideas throughout the Mediterranean and Near East. His legacy also lives on in the many cities he founded, which served as centers of trade, commerce, and learning for centuries to come.
Alexander the Great was a remarkable leader who left an indelible mark on history. He was a brilliant military strategist, a skilled politician, and a charismatic leader who inspired loyalty and devotion from his soldiers. His legacy continues to be felt today, and his story serves as a reminder of the power of human ambition, courage, and determination.
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Reviewed in the United States on April 13, 2023
★★★★★ 1
Disappointing
Format: Paperback
Disappointing
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Reviewed in the United States on March 8, 2025
★★★★★ 5
Being “Othered” is Real
Format: Kindle
Sky Full of Elephants opens with a haunting and unforgettable image: all the white people walking silently into bodies of water. That beginning alone tells you this is not a book that will play it safe. It is bold, layered, and deeply intentional.
The writing is beautiful and the story forces readers to confront what Black history truly is: American history. The novel doesn’t just imagine a world; it holds up a mirror to the one we’ve lived in and the one we’re still shaping. It explores identity, belonging, grief, and survival in a way that feels both speculative and painfully real.
As someone who grew up attending predominantly white schools, I connected deeply with Sidney’s experiences. Being “othered” (constantly reminded that you are different, that you don’t quite belong) leaves marks that follow you long after childhood ends. Some of the moments Sidney endures felt painfully familiar, and I found myself reflecting on my own younger self while reading.
What struck me most, though, was reading this story as a mother.
I have a biracial daughter, and her experience has been very different. She has never been made to feel like she doesn’t belong. She has never been othered. She has always been rooted in her Black identity, primarily raised by her Black mother, surrounded by family who affirm her. Even after I remarried and joined a Black family, she was embraced fully, never questioned, never treated as “less than,” never made to feel separate.
Reading Sidney’s journey made me profoundly grateful that my daughter’s story has unfolded differently. It also reminded me how much environment, affirmation, and community matter in shaping a child’s sense of self.
Sky Full of Elephants is more than a speculative novel. It is a meditation on race, memory, and belonging. It asks hard questions about America while honoring the fullness and complexity of Black identity.
This book lingers with you. It sparks reflection. It opens conversations.
And for me, it felt both personal and powerful.
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Reviewed in the United States on February 14, 2026
★★★★★ 4
Good Read!
Format: Audiobook
I read this along with my son and his girlfriend in a family “book club”. We had a good discussion about the ending, as we each had differing perspectives, but that was fun! The book was really interesting, and the characters were so well defined and deeply moving. Good read, but the ending left us a little confused.
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Reviewed in the United States on March 16, 2026
★★★★★ 5
Thought provoking
Format: Kindle
Sky Full of Elephants is a work of speculative fiction that begins with the premise that the white population of the United States has been wiped out. Starting a year after “the event” and following Charlie, a man who spent 20 years in prison due to a cowardly lie, and his resentful, biracial 19 year old daughter, who witnessed her only known family drown themselves, it is at its core a quest for identity in its many forms and how trauma can co-opt that search. In rating and reviewing this book, I’m aware that my lens as a Gen-X, cis-het, white woman, will have a differing view from others’ lived experiences. In reading other reviews, I definitely saw points that I didn’t consider, which I hope is the main point of the book. I do think, as a work of speculative fiction, that it does require the suspension of disbelief from the get go. It is a philosophical “what if” that Mr. Campbell invites the reader to consider.
Intrigued by the premise, I was drawn into the story due to Mr. Campbell’s lyrical writing style. The narrative had a rhythmical flow to it that supported the world building and characterizations. I found Charlie to be a very sympathetic character, rebuilding a life shattered by lies in a new world and confronted with the daughter he never had a chance to know. Sydney, Charlie’s daughter, was more of a struggle to empathize with. While her feelings were justified and understandable, her growth throughout the novel was erratic. As the story has an ambiguous ending, perhaps her character will continue to improve. For supporting cast, the grumpy pilot Sailor and his nonbinary child, Zu, offer a counterpoint to Charlie and Sidney’s emerging relationship. The king and queen of Alabama and the thriving town of Mobile were well fleshed out. The Walkers and Sidney’s Aunt Agatha in Orange Beach represented those who were lost in their own way, either due to clinging to their former proximity to whiteness or to the religious biases they were raised with. I found the Walkers to be the most tragic of all.
The questions of identity throughout the story are what kept be invested throughout. Are we defined by the color of our skin, our behaviors, the groups we belong to, the choices we make? Are others more valuable or worthy who don’t suffer the same things we do? Does there have to be those that are “lesser” to make us feel whole? As a trauma survivor with C-PTSD, I struggle with my own issues of identity and worthiness, and as a former Special Education teacher, I’ve been witness to that struggle in others. I have never understood or accepted the idea of White Supremacy or Christian Supremacy or any of the myriad ways that humanity continues to other each of us. In reality, there is no “us” or “them” only”we”. Charlie questions who he is as a Black man in the US, a convict, a teacher, a father, and ultimately a fixer and healer. Sidney grapples with her biracial otherness, her wealthy upbringing and sheltered life, the trauma of abandonment, and the lies that her life was built on.
The ethical question of the machine at the epicenter of the event adds another layer to the story. While the effects of the first usage were unintended, once they were known is it right to continue to fix it and use it again? Can healing a part of collectiveness that harms or destroys another part ultimately be worth the cost? The world and its people are broken and desperately need healing. But just like the question of eugenics, what of value is lost when specific traits are universally stripped away? And who gets the to decide what is of value anyway? The ambiguity of the ending doesn’t answer the question entirely of what happens when the machine is repaired, but Charlie’s ability to fix things leads me hopeful. Personally, I cared enough about these characters to be interested in a sequel.
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Reviewed in the United States on February 24, 2026
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